On the same lucky date my younger brother had picked for his wedding–7/11–I visited this bookstore and touched the burnished bronze letters warmed by intense summer sun. An author friend seemingly similarly fixated (but in a much more literary way than I) on memory was speaking about her book of love and loss, The Summer of Letting Go.
The alphabet chair contains its own puzzle: a viewer soon notices that each conjoined letter is imprinted with the texture of something that begins with the corresponding letter: “b” is for button, “n” is for net, “s” is for seashell, “y” is for yarn. . . .
This, too, is an alphabet with an inner puzzle:
My own most enduring artistic medium is fabric. When my children were very young they would develop fanatical devotion to certain books. Inspired by one of these, Lois Ehlert’s Eating the Alphabet, I made a quilt that reads in rows from left to right as an alphabet of fruits and vegetables. Some letters of the alphabet have more than one entry (“b” is for beet, broccoli, and blueberries), but it is assuredly an alphabet quilt.
In making it I excavated decades of family memories embedded in fabric scraps. The grapefruit’s dappled skin is from a Merimekko fabric in the cardboard-boxed scraps my collage artist mother keeps. Strawberries were culled from a baby jumper I had sewn for my first daughter. Mushrooms were stuffed with batting behind batik scraps from my friend Sharon’s fabric collection. It took some effort, and not a few needle punctures to my forefinger, to applique a kiwi from the sturdy tan suede square salvaged from a skirt I bought when I was pre-teen.
(I was flitting around channels a few weeks ago when I caught a glimpse of a room filled with stacked clear boxes of folded fabric. I thought, “That’s me”. . . . (when I speak only to myself I don’t always follow grammatical rules strictly) . . . then wondered why such a sight would merit screen time. Was it a sewing show? A quilting show? I backtracked and discovered the show was called Hoarders. Mortifying.)
When we moved to the home where we had our fourth child the dining room’s 1805 walls were painted russet, and seemed an ideal background for this quilt.
When guests of all ages had the “quilt tour,” they would often stand and ponder the enigma of what fell between asparagus and zucchini. “X” is particularly difficult to identify.
And when Jim finally came home at the end of his illness to be with his family and friends, this was the quilt that hung in front of his hospital bed.
The bed had taken the place of the antique table where we had hosted countless family gatherings featuring endlessly intriguing–and sometimes infuriating–word games and puzzles. Thousands of pieces of cardboard puzzles also had been assembled there by Jim and our children. Jim loved puzzles.
By then the alphabet quilt was surrounded by one of our daughter’s oil paintings, next to photographs taken by our younger daughter-who had not yet been born when I made the quilt–and pictures taken of us by a lifelong friend. On a table built by another lifelong friend were handmade cards written to Jim, including one just delivered by a young niece. All of it, including the very letters which formed the words on every note and card, was art linked and spun by love.