Perpetual Spring

Spring ordinarily is death’s antithesis, as surely as it is winter’s.

At the end of our family’s harshest winter, my dying husband’s heart improbably would not let go of us. It refused to take its last beats until, at least by the calendar, winter had at last elided into the season of growing green that he had always tended to.

Just four days later, the snow had melted entirely away. That afternoon, in a sun-soaked Spring service at her school, one of our daughters read “A Man,” written by poet Louis Untermeyer after his father’s death: “I thought of you…. / And it was like a great wind blowing / Over confused and poisonous places. / It was like sterile spaces / Crowded with birds and grasses, soaked clear through / With sunlight, quiet and vast and clean. / And it was forests growing, / And it was black things turning green.”

One of her brothers read Amy Gerstler’s “In Perpetual Spring,” which ends with an expression of “the faith that for every hurt / there is a leaf to cure it.”  

Spring was my husband’s season–although all seasons were, in their way and his. He would rotate his birdfeeders’ weekly specials to accommodate anticipated guests, and make sure our porch was off limits to humans when robins began building their nests in a favorite corner of the 1805 ornamental molding atop its pillars.

The fruit trees he had planted would begin to bloom. His vegetables and fruits would soon make their way into the world. Armored khaki orbs of quince would drink in April showers and grow so heavy that they bowed the thick branches which hosted them. At their greatest girth, they often settled together on the ground, still attached at their stems to their sturdy trees. They congregated there like meditating buddhas, to be sniffed at by our perplexed beagles. Sour bruised blue-black grapes and fuzzed raspberries and peaches would cluster.

In true winter I would survey once colorful leaves entombed under ice, and headless bush branches and empty trees and abandoned robins’ nests. I would be certain none of them could be brought to life again, to bear peaches and sour apples and cartoonishly colorful hydrangea and rhododendrons. But in Spring they somehow still do.

Even that Spring.

Since that singular March day twelve years ago, true Spring arrives for me not on the designated calendar date, but whenever I spot the first fully-bloomed flower. In New England, that has invariably been a crocus.

I picture it gingerly poking its way through richly layered leaves glossy with melting snow, as if doubting whether it truly is time to be visible and vulnerable. But once it peeks out above the dense autumn detritus, its lavender or buttered white soup-ladle petals relax, and it theatrically basks in the sun. A Fantasia character come to life, for as long as the light lasts.

Spring came a few days early this year.

Blurred Lines

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Winter has been a blur of white and glittering gray, and the line between seasons has imperceptibly been crossed.

Driving overnight rain plumped dessicated berries, turning garnet into cherry red.  The sun erupted this morning, transforming the last raindrops into blurred streaks and dots of cottony white.

A single burst of butterscotch and lavender crocuses in my neighborhood has people lumbering like zombies to stand and dot the salt-cracked street pavement.  They stare silently, not quite believing their bleary eyes.

A flash of brilliant color has supplanted the monochromatic blurs which drew our gazes in winter: ashy sea smoke at dawn, stalwart birds’ wings gliding among bare black branches, the seamlessly spinning vortex of snow.

Invincible Summer, Perpetual Spring

My sister-in-law today sent me a quote from Albert Camus: “In the depth of winter, I finally learned that within me there lay an invincible summer.  She is at least the second among my sisters-in-law to suggest to me that somewhere within my core is stronger stuff than I think.

Camus also was the source of one of the more interesting takes I had read upon the concept of “living in the moment”–something my husband Jim perfected as an art.    Camus‘  Sisyphus came to grips with his infinitely repeating task, illustrating “the higher fidelity that negates the gods and raises rocks,” comprising a universe “neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself forms a world. The struggle itself toward the heights is enough to fill a man’s heart.”

Jim was able to view in an astoundingly productive way his own objectively immense struggles.  Indeed, I’m not convinced he ever thought of himself as struggling.  Nor did he do “battle” with the cancer that took his life; he accepted it, and his heart remained full and  fully engaged with nature, with people, with life.

Among the seasons of the past year, winter transitioned particularly grudgingly to spring. Jim finally came home on a sunny, spring-like day as winter was coming to a close.  On his last day, spring’s eve, it snowed–not gingerly, but in plump white, sugar-cube sized flakes.

The quote about the depth of winter dovetailed with some of my thoughts about the seasons, and my thought to highlight the lovely poem one of our sons read at his father’s memorial service, Amy Gerstler’s In Perpetual Spring.

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