Warp and Weft

Imperfect Reflections (c) SMG 2018

Movers could have unfurled the enormous Persian rug in one of two ways.

Once spread out, it fills more square feet than did our entire first apartment as newlywed grad students.

A symmetrical design falls away in layers from a central medallion reminiscent of a quavering diamond, outlined with both gentle waves and angled peaks.  The rug is distinctly in my husband Jim’s calm color palette: gentle golds, russets, and moss greens, with a smattering of milky blue. (I find that I gravitate to riots of color, at least when I surface from grief to come up for air.)

Over the years I have, heel-to-toe, paced these never-ending lines while preparing to argue cases, waiting interminably as my customer service calls were “escalated” up the line, and giving and receiving both good and Very Bad news.

After the not inconsiderable task of unfurling the rug in my newest home–now three full cities and one state distant from its original tenure with us–I saw that the movers’ serendipitous choice of where to deposit it has laid bare its deep flaws.

Some might have discarded this rug many moves ago.

Had it faced the other way, its mutilated corner would have been hidden from view underneath the cream-colored couch (which, of far more recent vintage than the rug, bears only a minor flaw: a sprinkling of puppy teeth marks) .

But now the abraded corner has been splayed for all to see, if they are in the habit of periodically looking down to see where they are going.

Patches of hand-knotted wool have entirely worn away; fringe has thinned to weary threads.

The selvage cannot be salvaged.

The manner of injury was inadvertent; the cause was over-watering (of a potted ficus that towered over me).

The venue was Exeter, New Hampshire, the sun-soaked slightly sunken living room, to be exact.

My husband made very few mistakes in his all too short years, especially when it came to living creatures.  But boy, did he over-water that plant.

The water, in turn, seeped through drainage holes in its large clay pot, and into a significant swath of the perfect new rug that was then our most expensive purchase in seven years of marriage.

We did not actually notice this until we were almost ready to roll the rug up for a move to the old house he loved so much, where his earthly possessions would remain for me to tend to when we moved the next time, and the next.

The damaged portion is now a tattered island moored to the mainland by its underside, where it seems Jim fashioned a large rectangular dressing from carefully cut adhesive strips of silt-colored paper.

Over the years the adhesive hold has become more tenuous; fissures have developed, revealing ragged shallow ridges of scored, carmelized once-sticky paper which poke through the surface like baleen teeth.

The rug’s measurements are the same, but  it is off kilter.  Perfect symmetry is a thing of the past. It’s as if only this portion of the rug has aged–badly, in the way too severe a shock robs a body of its power to entirely heal.

Even in the dark, this damage would make itself known by the gentle crinkling sound the paper dressing still makes when a foot or paw treads even lightly upon it.

I have left the rug that way, not simply because it is far too weighty for me to move.  It is right at my home’s threshold; if you enter and simply glance down you will see it, cross over its threadbare glory, and perhaps contemplate its story.

It was pristine when it came to us.  Jim purchased it after careful appraisal, and with some consternation about the price–more than we had paid for any car we’d purchased, and four times the entire semester’s cash he’d carried as a college freshman–in the dog days of  August in Portsmouth, New Hampshire.  Our first baby was in my arms and a welcome breeze came in off the seacoast.

For years the rug was the only furnishing in the living room of the home to which we moved precisely two weeks before we became parents.

In the room’s only shaded corner was a large stone fireplace where we posed our perfect baby boy in the tiny Santa suit his Aunt Liz gave him before he was born.

A year later, I sat on it in a room still bereft of furniture , and baby Sam gently patted the belly under which his brother dwelt.

After we had next moved, by then with three preschoolers, we returned to the empty Exeter house for one last visit.  Our smiling sons sat on the two low wooden steps into the living room, where our seated toddler daughter’s image was reflected in the gleaming wood floor.

I have noticed, only in retrospect, that once we became parents Jim became more of a caretaker to all living, growing things.   He brought the ficus home shortly after we brought home our firstborn, and surrounded our homes with bird feeders which he carefully maintained.  He planted flowers and bushes and trees and grew berries and vegetables he readily sacrificed to wildlife visitors, rather than safeguarding in a way that might endanger critters emerging from surrounding woods. He even enlisted and supervised less complex organisms, tapping maple syrup, tending to sourdough bread starter, and brewing beer.

He maintained bird feeder cities, tending more meticulously to their culinary sensibilities than I ever was capable of when attempting to sate our humans and beagles.

Perhaps it is needless to say I am not such a fan of perfection.  Maybe it’s just a chicken and egg proposition, as I have never been close to that mark.

I now have another, far smaller rug that appears to be perfectly symmetrical.  I acquired this magic Mughal carpet in Uttar Pradesh, where one of my daughters and I saw such rugs being hand-made.  Unlike the damaged rug at my home’s threshold, its asymmetry is well hidden but complete: due to the arrangement of its warp and weft, from one side it is deep sapphire, and from the other a steel blue-gray.

Little in life satisfies the human impulse to see and seek beauty in perfect symmetry.  And among what is worth holding on to, few things are unscarred.

 

 

About Stephanie

In her spare time, Stephanie works full-time, and then some, as an attorney. She has published articles and delivered talks in arcane fields like forensic evidentiary issues, jury instructions, and expert scientific witness preparation. She also is an adjunct professor at a law school on the banks of the Charles and loves that dirty water, as she will always think of Boston as her home. You are welcome to take a look at her Facebook author page, or follow @SMartinGlennon on Twitter. All content on this blog, unless otherwise attributed, is (c) 2012-2018 by Stephanie M. Glennon and should not be reproduced (in any form other than re-blogging in accordance with Wordpress protocol and the numerous other wee buttons at the bottom of each post) without the express permission of the domain holder.
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One Response to Warp and Weft

  1. A lovely post Stephanie, such wonderful memories.

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