Scarlet Skies

Southwest Harbor, Mt. Desert Island (c) SMG

Yesterday was the eleventh birthday my husband should have had here, with us, in the traditional way.

It has not become more comprehensible that he was not.

Yet somehow he is no more and no less present than he was, in our home, when his heart stopped beating.

If there has been a shift it may only be because I no longer live in that house. I am no longer viscerally confined within its spaces, and the suffering he endured before he finally came home from an emergency hospitalization for the last time.

On rare occasions, I still need to revisit now distant and still gut-roiling human-forged interior spaces–like the radiology department of his hospital. He emerged from it after weeks of fruitless radiation and spent hours with an equally quixotically hopeful colleague, looking intently at his films for any sign of reduction in a pancreatic tumor that had not even incrementally let go. It had in fact already dispatched is sinister envoys elsewhere. Those rooms and hallways–and even the tissue boxes in the waiting rooms–make the psychic pain of it instantly rise to the surface again.

But outdoor spaces have changed, for the good, without changing at all.

I have stopped desperately searching for signs from him, perhaps because I have settled in the knowledge that I am always surrounded by them when I am outside. I know he is not confined to any space, and does not revisit the same bleak places and memories I do.

One never knows where he will appear, or what will call to me or our children, wherever they find themselves.

As much as he loved his work, his soul always needed to be among the stars and out in the sun. In the same way I picked up the camera from him, once he no longer quietly waited for perfect shots of landscapes and the creatures traveling through them, I have now incorporated into my being the yearning to be outdoors. To see and feel its endless permutations–of weather and sky, of earth and its beings, no matter how small. And especially of salt water.

Years ago I finally made a trip back to Southwest Harbor, on Mt. Desert Island in Acadia National Park. Once our family had dwindled to five (not counting beagles, of which I had–clearly not rationally–by then accrued a third).

Already my heart had for years hurt too much to walk on the same paths and shores and mountains where all six of us had walked together. This time I had driven by myself, stopping only at a sprinkling of lighthouses along the way. I had hoped to make it to Bass Harbor Light’s scarlet Fresnel lens by sunset.

As it turned out, legions of less solitary others were entirely willing to brave the cold towards that same end. A dispiritingly long line of tourists in very substantial vehicles snaked far beyond my sight as I approached.

A change of plans.

Pre-pandemic, I was limber enough–and well enough shod–to swiftly backtrack toward the Harbor. I ran in what I hoped was a West-facing direction.

To my surprise, as I rushed to the first pier in sight, not only was the Harbor itself nearly empty, but only a dinner-bound dog and his human were in sight. They soon vanished beyond a gentle hill.

In a startlingly sudden blast, brilliant pink-orange tendrils, like silent fireworks, spilled down and over the densely gathered trees across the harbor. Sunset had arrived and I was alone.

The dropping sun slowed and impossibly lingered, patches of pure white light drifting in waves above reds even more vivid than that lighthouse lens. I could not have been more certain that Jim was there, too, and was glad I had made my way to this singular and eternal sight.

Still standing, in a a place of heaven and earth and sea not freighted with, but lifted up by, our past together.

So, yesterday was the eleventh birthday my husband should have had here, with us.

But it was also the first day the still-spinning world welcomed a new baby James, named for him, born on his birthday to the daughter-in-law and son of two beloved doctor friends who had been with us before and as my husband died.

They both were at his side to help soothe his tender passage out and away from pain and disease and into the luminous light beyond any doors. Into “the relief of space …outdoors, in the sunshine, under the gigantic sky.” A place, as Kiran Desai described in Hullabaloo in the Guava Orchard, where even “in the midst of chaos” one may find “an exquisite peace, an absorption in a world other than the one” into which we were born.

Fittingly, sweet baby James’ grandparents met their new grandson in an outdoor garden, on a coast where green still grows companionably among the rest of the color spectrum. Flowers and creatures flit and relentlessly gather pollen, during lives which seem so short only by our own inadequate measures. Where stalks never stop reaching towards sunlight, while generations of their buzzing and fluttering companions continue to fill the ever-changing skies.

Even in December.

Vanished Air

 

“Ibis Ascending,” Garden of Peace, Boston, Massachusetts

. . . you are much more than simply dead/  I am a dish for your ashes / I am a fist for your vanished air….

                                                              Charles Bukowski, “The Unblinking Grief

 

Ten years ago today, at 12:52 p.m., give or take a minute-without-end, the surgeon pointed to a scan I would not have looked at even could I have seen it that far across the windowless white room.

“This is your tumor,” she said to my husband, whose keen eyes would have immediately absorbed the labyrinthine contours of his inoperable pancreatic tumor.

Some of the things he did next, knowing what he knew as as a physician, have puzzled me for most of that decade.

I instantly knew there was no hope: he would certainly die within months, as he did.  But at times he seemed to think otherwise. 

I now know I had framed and answered the wrong questions.

In the past year I’ve found clues in the strangest places.

******

Garden of Peace

Within a city block in Boston, on two sides of a magnificent courthouse I was drawn to even as a kid–and in which as an adult I have for decades argued to uphold first-degree murder convictions–are two dedicated gardens.  Only one contains flowering plants.

The other is made of stone.  

I’ve never encountered another soul in either.

The Garden of Hope is dedicated to cancer patients, and to curing cancer.  Visiting it makes me feel ineffably sad.

The Garden of Peace is dedicated to homicide victims.  Stones are engraved with their names and dates of birth and too-early death.  Water circles through from a granite orb, representing the weight of grief resting with victims’ survivors.  Visiting it gives me hope. 

In the space between them I may have finally come upon some answers.

*****

Within an hour of his out-of-the-blue diagnosis, my outwardly robust, healthy husband sat in the Lahey Clinic’s expansive lobby, reading journal articles on his laptop about pancreatic cancer.

I pressed myself against an outside stone pillar far broader than I, my skin feeling as if it were steaming from the day’s heat, and wept.  I, distinctly not a physician, immediately knew there was no hope: he would die, soon.  As he did.   

He knew exactly what his protein marker levels spelled out.  He knew how dire the meetings ahead would be.  He knew what the oncologists would say.   

I didn’t grasp the medical in-between, but the stand-still second I heard the diagnosis I absolutely knew the end.

When it was time to go back inside and accompany him to a PET scan he closed the laptop screen, calmly looked up at me, and said, “Whatever happens, it looks like I’m going to need an extensive course of chemo.”

Already, I had trouble computing what he was saying.  What’s the point, I thought, but did not say. 

And I continued puzzling as he subjected himself to ghastly side-effects from twelve-hour infusions of chemotherapy drugs over the rest of the summer.  He must have known they wouldn’t help.  Nurses were swathed in full PPE so as not to come into contact with the poisons they were injecting into his port,  turning his tongue to cotton with which he could not form words, leaving him nauseated and too exhausted to move, sometimes sleeping 20 hours a day, turning his hair white, casting a dark spell that made taking a sip of cold liquid like swallowing broken glass.

I would wander aimlessly around the chemotherapy wing; when not piecing together angel puzzles I would gaze at the same photographs and posts and calendars with something approaching….anger: they were always of and about survivors, always about those who would live.  Survivors’ Poker Night, Survivors’ celebratory Banquets.  Nighttime meetings for survivors of different types of cancer.  Bright ribbons of different colors, but nothing rendered in black.  

Nothing for those without hope of  “getting well.”  There isn’t even a Hallmark card for that.  

The physician-patient’s own physicians wouldn’t bring up hospice care.  When I mentioned it to his oncologist, he nearly fled the room, murmuring how good my  assuredly dying husband still looked.  Eventually, during an emergency admission when he had only weeks left, and after I’d made multiple requests to the floor staff for a hospice referral, Jim picked up the phone in his hospital room and referred himself for end-of-life care.  

Through this brutal, fruitless treatment, the tumor did not shrink.  Its cells had spread to his liver, likely before he had been diagnosed.   His pain was indescribable. 

Why was he putting himself through this?

By the time November arrived and we were hastened out a Master of the Universe surgeon’s examining room door and into the dark with a dismissive, “Good luck,” even my husband’s human and humane doctors knew no additional course of treatment was to be ventured.  He promptly, joyously, planned his dream trip with our children.  As he finalized the details he paused. I asked him why. 

“I’m wondering if I should get insurance for me.”

Again, my mind, flashing to the $82,000 bill for two vials of a single post-chemotherapy drug, did not compute.  “We have insurance.”

“In case I die there.” 

In case we had to bring back his body, I then understood.  I had to look away.

Uncharacteristically, he briefly balked after computing the final numbers.  I voted “no” on trip insurance.  He told me how much it would be to take the six of us on the necessarily short-notice last family trip–well over what my paltry public servant’s salary would  thereafter  allow.  “It’s going to cost a lot.”

“Oh yes, we are going,” I heard myself saying.  “I can always get a second job later.”  We understood what “later” meant.  

*******

It was only this winter, nine years after my husband’s death, when I began to understand why I remain so unsettled by the Garden of Hope, yet take solace from the Garden of Peace,  which takes death–almost always sudden and violent–as its starting point.  

I have far too narrowly understood what hope is, raging against reality and unable to release my own grievance against the universe for not including my husband among those who could ever have hoped to be cured.

I lost hope because I shared that narrow view of it.

Jim never once lost hope; he seamlessly and instantly recalibrated it to whatever reality he encountered. 

He was never in denial; he completely accepted not only what he faced, but what we  who have to carry on did. 

He didn’t sign up for those horrific treatments because he expected to be cured, or even feel any better, but maybe he thought it plausibly could get him just enough time to see one of his children graduate, or move his daughter into her freshman year at the school where he and I met, or climb another mountain, or take photographs of a Darwin Finch.  And he did climb that mountain, and he did take those pictures.  And as tired as he was, both were glorious.

The recalibration of hope came naturally to him, and is always possible.

But I still have a lot of work to do.

 

.  

 

Spring Forward, Fall Back Down

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Frozen in Time (c) Stephanie M. Glennon

 

Spring forward, fall back down…”

I know, I know: it couldn’t be much more wintry in New England.

It’s a balmy -6 degrees, enhanced by an order of magnitude for those who dally with windchill.  Boston had its highest recorded tide, sweeping an icy gray lagoon into waterfront streets.

My big boy beagle gazes at me with recrimination when I am compelled to turn around and whisk him back toward home.  He clearly has places to be, but unknowingly relies upon my limited capacity to exhibit adult common sense.  My less than-scientific measure of when I have ventured half as far as we safely can go is the loss of  sensation in triple-gloved hands.  The outermost layer belonged to Jim: enormous blue-green knitted wool  gloves into which Rufus still pauses to press his snow-dusted nose, retrieving scents of his puppyhood.  I am violently allergic to wool. Angry winter welts encircle my right wrist, which one over-sized glove accidentally touched as I struggled to shovel a path through blizzard remnants.

Even my camera is too cold to do its job.  I dare not risk its delicate inner mechanisms’ life for a picture–even of wavering sea-smoke etched in bright gold across the horizon, or planes of dazzling white which migrate across eye-level snowdrifts, or tree branches encased in ice glittering under a super moon.

Other than at sunrise and sunset, which in winter tend to take place during work days, when they rarely can both be seen, bright color has disappeared from the landscape.  It may visit in the form of  a scarlet cardinal or blue jay, or a burst of berries holding fast for them to find.

But this lyric spanning the other seasons has taken its place as resident ear-worm.

I first heard the Weakerthans’ song on the radio while driving back from a solo trip to Bar Harbor.

My city’s still breathing (but barely, it’s true)
Through buildings gone missing like teeth
The sidewalks are watching me think about you,
Sparkled with broken glass
I’m back with scars to show.
Back with the streets I know
Will never take me anywhere but here

My status could be the answer to a riddle: I occupy a new old home in my old home state, having left our old old home in a new home state.

But I am back with streets I know.  In a place I never before lived, I feel I am back home.

Wait for the year to drown
Spring forward, fall back down
I’m trying not to wonder where you are

One daughter came to my new old home for Christmas, bearing a discrete tattoo she explained to me is based on Slaughterhouse Five.

Spring forward, fall back.  I realized it’s not just a handy trick to set clocks to mark time in the seasons that bookend winter’s essence, but a Tralfamadorian progression through life–including waxing and waning grief and hope.  A (Billy) Pilgrim’s progress, if you will (HT Mr. Vonnegut).

I shall try to seize on those glimmers, bright traces which foretell spring or commemorate fall, even when blanketed by colorlessness–the orange fish which glided underneath inches of pond ice as we skated at the old home we shared, the leaf  whose lime stem tilted toward the sun as if it still could absorb light when my beagle’s front paw sank ever-so-slightly into a frozen puddle’s surface, leaving in uneven colonial bricks’ lacuna a ghostly misshapen cameo, a reminder of our presence there made possible by a New England winter.

 

 

Flying Lessons

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Fledgling Bluejay (c) 2015

It’s fledgling season.

Fledge, as a transitive verb, means: “(1)  To rear until ready for flight or independent activity; (2)  To furnish with feathers.”

Tiny birds burst out of bushes at fender level, lifting by milliseconds out of oncoming cars’ paths.  Parental sentries warily scan their nests’ peripheries, screeching and swooping if a squirrel bounds too close to their young ones.

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Baby Quail (c) 2015

Where hatchlings cluster in the delicate days before fully testing their wings one can already see a hierarchy in place, more assertive newborns pecking at their recalcitrant siblings and even sweeping them aside as they venture toward the margins of the zone where their parents perch to guard them.

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Perching Guard (c) 2015

I am, technically speaking,  a grownup.  I assuredly am my children’s only surviving parent, and some of them occupy the chronological ground between childhood and adulthood.  Yet I am taking most of the lessons.  That fledgling bluejay perched indefinitely on the wooden fence ledge, glancing beseechingly back over his shoulder as if to ask whether he really is expected to let go and explore alone beyond the garden that is his home base?  Really?  Is this a good idea?  That’s me.

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While I have found comfort in returning to my original work, my children have ventured without fear into new places, figuratively and literally–from making new friendships to mapping out intricate proofs and gathering data across the globe to mathematically model the spread of infectious diseases.  How proud their father would be.

Perhaps they have been furnished with that other thing with feathers– the one “[t[hat perches in the soul,” that “sings the tune without the words,/And never stops at all.”