Anniversary in Amber

 

A date announced itself on this summer’s calendar, swooping in to mark what is known in our household as an anniversary “of significance.”

Such milestones ordinarily are divisible by five, and are of extra note if divisible by ten.

If Jim were here I’m fairly sure that for this wedding anniversary he would have spirited us away to some outdoor place where we could behold birds and summer flora.  Chances are high that an ocean would have been involved.  He would have done all the planning, certain to minimize travel and avoid tiny modes of transportation: I always viewed as suspicious the smaller ratios of protective steel girding to numbers of passengers.

No camel safaris would have been involved.

If he were here I still would be profoundly afraid of flying, so he likely would have kept us close–perhaps winding up the coast of Maine to Bar Harbor.  If so, he undoubtedly would have been at the wheel.

In the steady comforting voice that still greets me on two of our children’s telephone messages, he would be reassuring me about my cataclysmic geopolitical fears and my worries about our children, each one of whom has now graduated and set out into this dazzling world without him.

He would have securely packed up what I think of as the “real” camera equipment to photograph what we saw, carefully waiting for images to take shape.  He would carry home these preserved pixels, refine them, and catalogue them; he would pare them dispassionately and keep only what was worth keeping, then tag them and star them so he would know where to find them.

I, on the other hand, would have merrily clicked away on my wee camera’s “Auto” setting until the battery, memory card, and/or shutter plum wore out.  I would have been photographing him and other people instead of landscapes and seascapes.  (I haven’t quite finished psychoanalyzing my change of subject matter yet.)

But instead…..

In dark New Hampshire where his widow wakes.”

Widow “wakes”–not “awakes” or “awakens.”  A far cry from “rises.” It’s not simply alliteration.  If I am in any way typical of what  happens once those wedding vows have been lived out, I remain mired in the moebius of my spouse’s last moments: now that I have occupied the marriage alone for years, my senses often revert to an echo of a wake (though we did not have one), by his side as he and I were then, as if both of us had stopped aging at the end of his life.  Our almost-anniversary preserved in amber.

Poet Donald Hall recently passed away.  He had first lost his far younger wife, poet Jane Kenyon, and written of the osmosis that continues in a marriage that endures after a spouse’s loss: “In the months and years after her death, Jane’s voice and mine rose as one, spiralling together the images and diphthongs of the dead who were once the living, our necropoetics of grief and love in the singular absence of flesh.”

In his case he found that some of his wife’s poetic voice had slipped into his, the rhythms and soul of her writing transforming his own poems, making them into the best artifacts of both.

Memories will rust and erode into lists/Of all that you gave me/A blanket, some matches, this pain in my chest/The best parts of lonely….”

Before another summer wedding, I met someone who voiced the sentiment that a spouse’s death signifies the death of a marriage as well.  I turned to a friend who was herself at the wobbly state of raw widowhood that rendered it necessary gently to physically pry her from her house and into a world of suddenly conspicuous couplehood.  We simultaneously shook our heads with the loudest silent “No” we could muster: “Dead wrong.”

At the ceremony one of the bride’s friends would read the same passage from 1 Corinthians 13 that the bride’s mother had read at Jim’s and my wedding:Love bears all things, believes all things, hopes all things, endures all things.  Love never ends.”

Love endures all things, even death.  If love never ends, the marriage does not die with either or both of us.

For better, for worse.

So I suppose my view of the marriage I still celebrate boils down to a cross between Corinthians and a Canadian singing group.

When one spouse departs this world, he or she doesn’t leave the marriage, but does leave behind, for whatever we earthbound spouses make of them, both the best and worst parts of lonely.

As long as we both shall live.  

And then some.

 

 

 

 

 

 

Liquid Courage

 

A few watchtower irises have just arrived but already encountered sustained seasonal storms. Their stalks have not bowed. Their falls are unencumbered, fluttering freely. They contain storms’ residue into discrete pearls which gather on saffron signals atop their purple petals. Through different angles they glitter and refract the riot around them when the sun comes out again.

It is no mystery which one reminds me of my husband, whose Mother’s Day gift to me this year is the seasons’ subtle rhythms.

I clearly was the daffodil for quite some time, but I think I’m making some progress through the tulip stage, perhaps someday to be in companionable peace among my fellow post-storm wanderers.

 

 

Purple Chimes and Valentines

Sweet as” was in the glossary I picked up from fellow travelers during my recent adventure.

It’s a New Zealand term of assurance: all is well, “no worries” (a phrase that now hits my ear as  well-meaning  but oxymoronic, a double-negative coupling of “no” and  brow-furrowed “worries”; like being told not to envision a pink elephant, if I’m told not to worry, I’m going to worry).

Where “no worries” comes to a declarative full stop, the object-less “sweet as”  is gloriously open-ended, and calls to mind all my (slightly belated) Valentines.

The list is, as we say in the business, not limited by enumeration.

Sweet as….

My friend Barbara’s face when I first saw her, not knowing she’d made the long trip, downstairs at Phillips Church after hundreds of people had paid their respects and filed out.  (She does not know that the purple glass chimes she gave me years ago now hang on the window overlooking my Brady’s garden.  Their gentle clinking restores the missing sound of his bright blue tags as he made his way from flower to flower.)

The friend who told me he’d be there in ten minutes–from another state, on a traffic-filled holiday weekend–when I desperately texted that I had to make an unbearable decision about my beloved middle beagle, then dispensed (and even re-collected) a stream of tissues to me in the aftermath.

My newest friends, who made me laugh harder than I have in years, picked me up when I slipped on Morocco monkey ice (story to come), taught me Australian card games, and tried fruitlessly to contain me from overspending my dirham.

George, a wildly busy colleague whose wife had died when his children were very young.  He always took my calls, called me when I had been silent too long, and knew when it was time for me to go back to the job I loved.

Joe and Diane, who showed up to help me move a daughter into her freshman dormitory  when Jim could not, and who took all of us into their home when the same daughter graduated.

A network of people I’ve never met in person, who take the trouble to read my blog and leave me messages about posts and share their own thoughts.

Friends who sent me flowers on Mother’s Day and after my father died, who helped my children when I could not get to them because of competing crises in other states and countries, who shared their own heartaches with us and helped us see “the size of the cloth.

G., who secured for me the music for Jupiter and in whose office I knew I could always appear and get my bear hug without needing to speak.

Bethany, whom I met getting ready to go on a great big stage where we both told our stories, and arranged for me and my son to hear a long sold-out John Hiatt show after I told her the story of the golden CD my husband had burned for me years before I found it.

Jim’s lifelong friends, who visited him when he was sick and brought him a touchstone of their shared past, and who still invite me to their family events and allow me to be a part of theirs and their children’s and even their grandchildren’s lives.  Jim’s family, who became my family long ago.

David Subnaught (so-dubbed  to distinguish him among many distinguished college Davids), a classmate of Jim’s who flew from Colorado to the East Coast to be there for my eldest son’s graduation two months to the day after Jim died.

Tineke, my best woman, the first person I called.  She literally fed me, cooking from scratch  the only things she knew would tempt me, when I could not manage even that.  Best man Jon, who drove to us on the night we finally brought Jim home bearing pictures he’d taken the night before our wedding and had us all laughing so hard we may have unnerved our children.  Randy and Judy.  Dr. Bob.

You know who you are.

 

 

Spring Forward, Fall Back Down

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Frozen in Time (c) Stephanie M. Glennon

 

Spring forward, fall back down…”

I know, I know: it couldn’t be much more wintry in New England.

It’s a balmy -6 degrees, enhanced by an order of magnitude for those who dally with windchill.  Boston had its highest recorded tide, sweeping an icy gray lagoon into waterfront streets.

My big boy beagle gazes at me with recrimination when I am compelled to turn around and whisk him back toward home.  He clearly has places to be, but unknowingly relies upon my limited capacity to exhibit adult common sense.  My less than-scientific measure of when I have ventured half as far as we safely can go is the loss of  sensation in triple-gloved hands.  The outermost layer belonged to Jim: enormous blue-green knitted wool  gloves into which Rufus still pauses to press his snow-dusted nose, retrieving scents of his puppyhood.  I am violently allergic to wool. Angry winter welts encircle my right wrist, which one over-sized glove accidentally touched as I struggled to shovel a path through blizzard remnants.

Even my camera is too cold to do its job.  I dare not risk its delicate inner mechanisms’ life for a picture–even of wavering sea-smoke etched in bright gold across the horizon, or planes of dazzling white which migrate across eye-level snowdrifts, or tree branches encased in ice glittering under a super moon.

Other than at sunrise and sunset, which in winter tend to take place during work days, when they rarely can both be seen, bright color has disappeared from the landscape.  It may visit in the form of  a scarlet cardinal or blue jay, or a burst of berries holding fast for them to find.

But this lyric spanning the other seasons has taken its place as resident ear-worm.

I first heard the Weakerthans’ song on the radio while driving back from a solo trip to Bar Harbor.

My city’s still breathing (but barely, it’s true)
Through buildings gone missing like teeth
The sidewalks are watching me think about you,
Sparkled with broken glass
I’m back with scars to show.
Back with the streets I know
Will never take me anywhere but here

My status could be the answer to a riddle: I occupy a new old home in my old home state, having left our old old home in a new home state.

But I am back with streets I know.  In a place I never before lived, I feel I am back home.

Wait for the year to drown
Spring forward, fall back down
I’m trying not to wonder where you are

One daughter came to my new old home for Christmas, bearing a discrete tattoo she explained to me is based on Slaughterhouse Five.

Spring forward, fall back.  I realized it’s not just a handy trick to set clocks to mark time in the seasons that bookend winter’s essence, but a Tralfamadorian progression through life–including waxing and waning grief and hope.  A (Billy) Pilgrim’s progress, if you will (HT Mr. Vonnegut).

I shall try to seize on those glimmers, bright traces which foretell spring or commemorate fall, even when blanketed by colorlessness–the orange fish which glided underneath inches of pond ice as we skated at the old home we shared, the leaf  whose lime stem tilted toward the sun as if it still could absorb light when my beagle’s front paw sank ever-so-slightly into a frozen puddle’s surface, leaving in uneven colonial bricks’ lacuna a ghostly misshapen cameo, a reminder of our presence there made possible by a New England winter.